What we see as Romance, is not actually Romance at all. Words are sweet and wonderful, but do they rattling mean what they sound equivalent? In ?Madame Bovary,? by Gustave Flaubert, the motive uses equine imagery to satirize Romanticism, cleverly using knights to promise the downfall of his carefully structured ?Cinderella? scene. Madame Bovary will eventually break up in large debt, and as Flaubert explicitly describes her gruesome death, our handed-down ideas of Romance are knocked down. Charles is so distraught and filled with craziness that his ?nostrils fluttered, [and] his lips quivered? (Page 1249), just ilk a buck does when it gets agitated. All Rodolphe cared about was ?farming, livestock, fertilizers?(1248). Charles contained everything that Emma wanted, yet she failed to see. By using this image of a horse in distress, Flaubert shows us Charles?s true enraged sense and his willingness to do anything to have her hit the sack him equally. Unfortunately f or Charles, Madame Bovary was in love with the man who did not care, and only saw her as an excess horse in his stable. In Part One, Charles is a tender man, sad and pathetic. His mom dresses him as a clown. ?The newbie wore weighed down(p) shoes, hobnailed and badly shined? (1037). Charles wears these heavy, hobnailed shoes just like a horse would, for the rest of his life.
Flaubert uses this to foreshadow Charles?s authorisation in society, showing that he would never escape his ludicrous caste and would be tightly nailed to a weight who would be Emma, bringing him down with her dreams of a man with nicer boots. With his ?headgear of heap up order? (1038) on his lap, the t! eacher commanded Charles to shout his name amidst a torrent of jeers and laughs. With the exclamation, ?Say it again!? (1038), Charles muttered his name, ?Charbovari!?... If you want to get a full essay, order it on our website:
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